A Latter-day Bluestocking

For the love of reading

Category: Women’s Studies

Shanghai Girls by Lisa See: A Novel of a Chinese-American Experience

The novel Shanghai Girls is ultimately about two women who must survive their new reality in America while remaining grounded in their Chinese origins. The story is divided into three themes important in Chinese society – Fate, Fortune, and Destiny – each representing a phase of struggle and renewal in their lives.

The Theme of FATE

It is Shanghai 1937 and two sisters, Pearl and May, have their world turned upside down. Two “beautiful girls” who pose for artists who depict them exuding the energy, excitement and beauty of the modern Chinese woman. Their lives are changed overnight when their father loses all his wealth and he, in an effort to save the family, sells the girls into arranged marriages to Gold Mountain Men — American-Chinese husbands. The truth is far darker when they discover that it is not ordinary debts which have thrown these two women back into a feudal age but poor judgement and dealings with the dreaded crime syndicate the “Green Gang”. All this as Japanese bombs begin to fall decimating the city the girl’s know and love. They escape the city, traversing the Chinese countryside witnessing first-hand the cruelty and atrocities of the conquering armies.

The Theme of FORTUNE

These women manage to make it to Hong Kong and passage to Los Angeles where they arrive at Angel Island, the “Ellis Island of the west”. Here Pearl and May learn that prosperity is not so easy to gain and the streets of America are most definitely not paved in gold. For the next 20 years these resourceful and strong women maintain their dignity as they endure blatant racism and government-sanctioned discrimination. The years find them ever loyal and supportive to one another as they carve a niche for themselves and their families while constantly straddling the two divergent cultures of China and America. Pearl and May cope through WWII carrying special registration certificates proclaiming they are “members of the Chinese race”, and selling war bonds to prove they are loyal Americans.

The Theme of DESTINY

It is the 50s and the women see Congress finally repeal the Chinese Exclusion Act but at the same time the Communist threat once again enmesh them in a world that does not trust them and does not want them. Their future is to be forever part of the American experience, never to return to China. Pearl and May strive to raise the American-born generation to be American but find themselves dismayed when that generation doesn’t exhibit any of the qualities of traditional Chinese culture.

The novel which depicts emotionally difficult subjects common in the Chinese-American experience is not an effortless book to read but Lisa See develops each character with a deep understanding of the Chinese psyche that obliges one to read on. Ms. See portrays these extraordinary women in an unsentimental way and yet one is compelled to like them and even care for them. She does not embellish them with grand heroic acts or self-martyrdom; instead these women are portrayed as real in all their selfishness, suffering, forthrightness, petty jealousies, rivalries, and mostly love for one another.

Shanghai Girls by Lisa See (New York: Random House, 2009)

Jane Austen Knits

I picked this magazine up because clearly I am crazy.  This Jane Austen obsession is becoming all consuming.  I can’t even knit but the projects in this magazine are so enticing that I could not resist.  I want to learn and I am told that learning to knit is not that difficult.  So perhaps I will give it a go if only because I really, really want a knit Spencer to go with my Regency day dress.  But perhaps, it is best if I start off simply beginning with a scarf or a pair of mitts.

Did Jane Austen knit?  And if she did, what would she have knit?  In a period before industrialization it is not unlikely that women knitted blankets, shawls, scarves, cushions, and stockings.  Austen makes mention in Sense and Sensibility Mrs. Jenning’s plans for a knitting project and in an 1807 letter she describes her own knitting of a lap rug.

Martha’s rug is just finished, & looks well, tho’ not quite so well as I had hoped.  I see no fault in the Border, but the Middle is dingy.–My mother desires me to say that she will knit one for you, as soon as you return to chuse the colours & pattern.

The knitting of stockings was an undertaking easily employed by the poor to supplement their meager incomes.  It is probably not an unlikely supposition that Jane Austen and her sister, as daughters of a clergyman, may have knitted stockings for charitable distribution amongst the impoverished members of their village.

And besides, how can one not want to undertake some of these very beautiful pieces?

Quote of the Day: Mary Wollstonecraft

“Strengthen the female mind by enlarging it, and there will be an end to blind obedience.”  Mary Wollstonecraft, 1759–1797

Probably one of the hardest tasks I’ve ever set for myself

I am in the midst of writing a one-page abstract for a break-out lecture I would like to present at the 2012 Jane Austen Society of North America’s Annual General Meeting to be held in Brooklyn, NY.  Editing down a 40 minute lecture into a page is extremely difficult, harder even than childbirth!  As you probably have guessed Jane Austen is involved and since the theme is Sex, Money & Power in Jane Austen’s Fiction those who know me will assume that sex is involved too.  And they would be right!  Stay tuned to see how I manage to introduce a topic not usually associated with the gentle world of Jane Austen.

In the meantime, back to writing!!

Quote of the Day: Louisa May Alcott

Headshot of Louisa May Alcott (November 29, 18...

Image via Wikipedia

“She is too fond of books, and it has turned her brain.” 
Louisa May Alcott, 1832-1888 (from Work: A Story of Experience)

Why Jane Austen? Why, indeed!

I have just finished Why Jane Austen? by Rachel M. Brownstein.  It is a scholarly book, a serious discourse that attempts to interpret why Jane Austen is considered such a great writer and why she has become such a phenomenon in this day and age.  The author strives to explain and understand from many viewpoints: Jane Austen’s contemporaries, her family, the young girls who are looking for a simple courtship story, women who see early feminist messages á la Mary Wollstonecraft, white-haired ladies who ooh and aah at the neat writing of her manuscripts and letters, and the zealots who would defend, to the death, her genius.  It is a well-written book; the author, a professor at Brooklyn College and the CUNY Graduate Center and who has lectured at meetings of the Jane Austen Society of North America (JASNA), knows her stuff.  I enjoyed reading it but found parts of the book dry and, at times, confusing.  I am wondering if my dense reading of this book is because it wasn’t what I expected.  The well-known axiom, “don’t judge a book by its cover” is appropriate here as the cover picturing a Jane Austen “action figure” atop a stack of books belies its content.  I thought it would be a “light, bright and sparkling” book appropriate for summer holiday reading.  Beach reading it was not.

No sooner had I read the last page I began to question why I love Jane Austen so much.  Oddly enough, it is a tough question to answer, most likely because my outlook towards her has changed over the years.  I must admit I came to her quite late.  I never read Pride and Prejudice as a giddy schoolgirl; I discovered her in college.  I am embarrassed to say that my introduction to Jane Austen was through the BBC production of Pride and Prejudice starring Jennifer Ehle and Colin Firth as Elizabeth and Darcy.  I remember loving it as I tried to watch while being teased by a neanderthal who felt that the highly mannered society, the clothes and stately settings, and period language were pretentious.  I read the book and soon after the other five novels.  I fell in love.

A small part of my Jane Austen collection

Since then, I have read the biographies, the Juvenilia, the letters, magazines, articles, on-line blogs, and have re-read the books countless times.  I would rather go hungry than not purchase the newest edition of any of the novels, biography, or critical essays.  I even watch and enjoy the cinematic versions of the books and Jane Austen’s life.  My favorite P&P is no longer the Firth one; he being much too Byronic for my tastes and not the Darcy of the novel.  I have read each book in different ways, sometimes I focus on character, sometimes it’s the language, I like to focus on reading between the lines to gently uncover Jane Austen’s witty and humorous and very accurate assessments of the people we still come into contact today.  She was a master of language; her writing so exquisite and at the same time so humble.  Unless you are looking for it this can be easy to miss.   Virginia Woolf summed it up best in A Room of One’s Own,

“Anyone who has the temerity to write about Jane Austen is aware…that of all great writers she is the most difficult to catch in the act of greatness.”

So why Jane Austen?  Because I am the giddy girl seeking romance, the intellectual woman looking for discourse on the perfect novel, the feminist fighting for female independence and a break from the accepted docile rendering of womanhood, the gray-haired lady who values penmanship, civility, and manners.  Jane Austen answers to all of these various parts of my personality and so much more.  I’ve never been let down by her and have always been able to find a kernel of wisdom, laughter, and joy no matter my mood.  Her words have uplifted my spirits, answered difficult questions, and given me an understanding of people through the behavior of her characters.  She is great.  It is as simple as that.

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